2025-04-30 “Seed Of An Idea” for Tom (born 1982)

Tom had just finished locking up the box office for the night and thought he’d go up to the apartments and check on the guest Emma had invited to stay in the dorms.

He had been shocked to learn that a kindergarten teacher had ended up homeless.

As Tom reached the top of the stairs to the apartments, Melissa Gaines had just stepped into the common area. She moved quietly, like someone unsure if they were intruding, unsure if they belonged where they were.

In a softly lit common room of an apartment building at night, a man and woman stand in quiet conversation. The woman, petite with wavy shoulder-length brown hair and an oval face, wears casual clothes and stands facing the man with a thoughtful expression. The man, a clean-shaven Caucasian in his early 40s with short brown hair parted on the left, wears business attire and stands slightly turned away, glancing downward as if pausing between thoughts. Behind them is a cozy space with a carpeted floor, grey sofas, and a wall with a closed door. The mood is intimate and reflective.

“I was hoping to find Emma…” She looked at Tom as if she were trying to prove she wasn’t doing anything wrong. “Just to thank her.”

Tom smiled gently. “She was in the dressing room when I left… I was actually coming up to check on you myself.”

She nodded, glancing around the shared space. “Elijah’s asleep. I just came out for a breath. This place is… honestly nicer than the apartment we had. Smaller, of course—but it’s warm. It’s safe.”

“It’s new,” Tom said. “Built it last fall… long story… But, its purpose didn’t play out, so… it’s not doing anybody any good sitting empty.”

Melissa sat down on a sofa slowly, folding her hands in her lap. Her expression shifted—still grateful, but more thoughtful now.

“I never thought I’d end up needing help like this,” she said quietly.

There was no embarrassment in it. Just the kind of honesty that shows up when someone’s run out of ways to pretend they’re fine.

“My husband was an ER nurse,” she said. “He caught COVID back in January 2020, before anybody really knew what it was. He tested negative for the flu, but he had all the symptoms. He died in February. 

Our son Elijah was five months old.”

Tom stayed quiet. He felt no need to fill the space.

“I kept teaching,” she continued. “It wasn’t easy, but I did what I had to. Daycare… rent… food… utilities. Break-even on a good month.”

“I can imagine how hard you worked.”

Melissa nodded. “Then,  Elijah started school. I held everything together. Not great—but held.”

She paused, but Tom didn’t interrupt.

“Then this past fall, he had to get his tonsils out. Should’ve been simple. But… there were complications. Two hospital stays. A second surgery… I missed work and used up all my PTO.. Savings dried up. Rent fell behind. I got one extension. Then nothing.”

She looked at her hands like they held the weight of all of it.

“I’ve always believed if you work hard and keep your head down, you’ll be okay. But this time… I wasn’t.”

Tom finally spoke. “You did what any parent would’ve done.”

“I started sleeping in my car last month. Showers at the school. Laundromat… PO Box…” she said. “Not long. Just long enough to feel like you’re disappearing.”

Tom nodded. “Well, I’m glad you’re here now. Emma came to my office and had some big ideas… Well, I’ve been thinkin’... what we’re doing for you—maybe this doesn’t have to stop with you.”

Melissa looked up. “You mean—others like me?”

“I’ve got some ideas. This isn’t the only second floor I own that’s not being used.” Tom said. “I’m not sure how, but I have some ideas of what… Let’s see where they lead.”

2025-04-30 "Flat Bush Morning" by Emma (born 1861)

Hey y’all. I'm was my way to class this mornin’, but somethin’ happened I wanna share.

I saw a woman diggin’ through her purse at the meter, lookin’ real flustered. Her car was packed—blankets, clothes, boxes, the kind of packed that tells a story. Only room in the front for her and someone small.

I d’cided she was living in her car.

At a bus stop in Flatbush, NYC, Emma Knox stands on the left, wearing a tan jacket and jeans. She’s engaged in conversation with a seated woman wrapped in a gray blanket. The woman appears to be sorting through her purse beside a nearby parking meter, and a packed car full of clothes and boxes is visible behind her. The setting is a busy Brooklyn street, with the glass bus stop shelter framing the scene. Emma leans in slightly, her posture open and kind, embodying a moment of real-world compassion and connection.

I offered a couple quarters and she looked up real fast and said, “Thank you. I’m usually more prepared.”

I smiled and said, “You don’t owe me an explanation. But if you want someone to listen to you, I got time.”

She laughed. Tired but real. Said her name was Melissa. Turns out, she’s a kindergarten teacher. Sweet little boy named Elijah in 3rd grade. Her husband had passed away at the start of COVID. He’d been an ER nurse and got it in January ‘fore anyone knew what was happening.

At the end of last year, Elijah had to get his tonsils out. There were complications. Hospital bills swallowed their budget and savings, whole. “I chose my kid’s health over our apartment,” she said. “Wasn’t really a choice. I’m saving up to get started over… I just need a little time.”

I paid the meter for her an’ gave her sixty dollars. I’d o’ given her more, ‘cept that’s all I was carrying.

Now, if you been reading awhile, you know ‘bout the duplicates from back in 1985 that are still alive now who we went an’ visited. They made a thing called  Travelin’ Friends LLC an’ added use all to it.

So, on account of that, I’ve got more money than I imagine I’ll ever need an’ she didn’t seem to have enough of anything.

She looked at the money. “I can’t take this…”

Told her, “Yes you can, so please don’t argue with me.”

She blinked, then said, “This is a blessing. It’s….”

Well, out of the sudden, I jus’ told her about the dorms in Tom’s building. Said they’re sittin’ empty and I’d help her get settled tonight if she wants.

She smiled. “You sure?” 

“Absolutely sure.”

So I guess I’ll see her later. And I sure hope this is a new beginning for both of us.

—Emma

Time-Travelers Storyline: @agi_timetravelers
#brooklynlife #actsofkindness #faithinaction #sliceoflife #homelessnessawareness #aiart

2025-04-07 “Silas Wetherford” for Paul (born 1910)

Paul Charm walked out of Tom Jenkins’s American Heritage apartments, umbrella deployed and aimed his steps at the coffee shop. Monday had arrived in the wake of the latest Translocation mission.

Paul Charm stands on a rainy Brooklyn street holding a black umbrella. He wears a black leather jacket over a denim button-up shirt, with a black fedora that adds to his classic, polished look. Raindrops glisten on his jacket and umbrella. The wet pavement reflects the glow of city lights, and a row of storefronts with awnings stretches into the background. Paul looks calmly ahead, composed and timeless against the modern urban backdrop


Paul was starting to catch on to Hannah’s uneasy attitude about The Agency. Friday morning, he woke up with mission orders that left him nearly no time to complete them. He had to find a Library of Congress map of Memphis, Tennessee for the year 1860. By noon.

Short notice, but Jacob Brown happened to be visiting the apartments that morning to do a site visit with Merritt. Jacob had a map pulled up from the Internet faster than Paul could have put his fedora on properly.

A printed copy of the map in hand, he sat back and waited for his body to be Translocated to an Off-line Instant in 1985, where he could give it to the mission team. 

“How’d you get this?” Merritt asked. “Looks like you made it on a copier.”

“It was a printer,” Paul replied. “Jacob Brown helped. I guess you’ll get the memories about my morning from the 2025 gang in a few days.”

Paul went on to explain to Merritt, Hannah, Emma, and Kent what he understood about printers in the future. 

The mission had gone on from Friday night to Saturday night; just over a day. During the mission, the Time Travelers who were Focused into it didn’t have direct connection to the experiences, but there was something of an awareness with regard to mood and feelings.

Mostly, they had felt bored and sluggish, but for a short period just before it ended, there had been what Kent called an adrenaline rush.

On Sunday, there had been some napping in 2025. Seemingly, there had been some napping among the 1985 Off-line Moment, too, because before dinner time, the memories had synced up. (The best explanation for the merging of memories was that sleeping pushed the memories into the merge and then sleeping later would pull them out—depending on the timing, it could take up to 2 days, or as little as a few hours.)

Once Merritt, Emma, Hannah, and Kent told everyone WHAT had happened, the speculations regarding WHY it happened began. Anika, David, and everyone else hit their MacBooks so fast, Paul wondered if they would break the Internet. Or at least cash their WiFi—which he had accepted as some form of 2025 magic. 

(He was reminded of how his grandpa had acted with regard to radio.)

Once again, it had been Jacob Brown, whose skill with computers was essentially his life, who found the most likely answer.

“Hey,” he said after everyone else had begun to give up, “look at this obituary…”

No one had actually looked, but they all listened as he read it.

“From 1892… ‘Passing on Wednesday, Silas Wetherford leaves his wife, Hazel’… I’ll skip ahead… ‘Silas was best known for his somewhat open work as an Abolitionist. A former slave catcher, Silas once said his mind had been changed one night in 1860 when he encountered a group of Abolitionists north of Memphis helping a family of slaves flee to the north. Silas’s most recognized work was a series of newspaper editorials decrying the idea that Blacks were property.’” Jacob looked up. “I don’t know about you guys, but I think we just found out what happened when the butterfly flapped its wings.”

“Butterfly effect…” Merritt smiled. “This time, you might have found out what happened!”

“I like the stone in the pond metaphor,” Emma replied. “This time we see where the ripples hit the shore.”

1860-June-04 “Night For Freedom” for Kent (born 1958)

The sun had long since dropped below the horizon, but the humid air still clung to every surface inside Doctor Chandler’s barn. Fireflies blinked lazily beyond the open door, and Kent Marlon leaned against the weathered frame, watching shadows stretch across the trees lining New Raleigh Road.

It was June 4, 1860, and the four of them—Kent, Hannah, Emma, and Merritt—had spent the day scouting the area, working out how to best watch the road. The toll gate on Randolph made that path too risky. The smarter route, they'd figured, was to keep an eye on traffic headed east, toward the old crossing near the Siebert property.

Behind him, Merritt and Emma were in quiet conversation. Hannah stood nearby, arms crossed, her eyes alert, just like his.

Kent tilted his head toward her. “You know, for a girl from Scranton, you’ve got a decent sense of Tennessee backroads.”

A close-up section of an 1860s-era map titled “Memphis and Vicinity,” showing a detailed topographical layout northeast of Memphis, Tennessee. In this portion of the map, a fork of the Wolf River curves through wooded terrain, with “Cotton Creek” labeled in flowing script. Several properties are marked, including the “Powell” property and the “Siebert” homestead near the river. Roads and trails intersect the landscape, and shaded elevation lines indicate gentle hills. A potential crossing or bridge appears at the narrow part of the river by the Siebert property. The map uses small dots and lines to represent vegetation and terrain features in a rural setting.

Hannah smirked. “And for a Bronx boy, you’re getting good at admitting I’m right.”

“Yeah,” Kent replied, “but which Bronx boy are we talking about? I’m struggling to know where all the other versions of me end and where I begin.”

Hannah nodded, letting her eyes fall. “Same… Sometimes, I’m the engineer from the future. Right now, I feel like the doctor from 1880 who had to be a burlesque dancer because she wasn’t a man, and the Memphis hospital wouldn’t have a woman doctor.”

From deeper inside the barn, Merritt chimed in. “Emma's the only one of us who actually grew up near here. Vicksburg’s not that far, right?”

Emma shrugged with a grin. “Close enough to have opinions. Far enough to deny it if things go bad. And, Hannah…”

Emma’s head shook off whatever she was going to say.

Hannah wouldn’t let it go. “What, Emma?”

“I reckon,” Emma replied, “you got a little taste o’ what being black was like. After Emancipation, things didn’t get much better for them. I feel bad, sometimes, how my poor sharecropper family treated the Black sharecroppers we lived beside.”

Hannah shook her head. “Well, it’s a bad taste. That’s for sure.

They waited near the barn for several hours, marking time. The night air thickened, and just as Kent considered stretching his legs, the sounds of movement on the road snapped all of them to attention.

Fabric rustled. Feet shuffled. Breath caught in the quiet.

Kent led the Time Travelers close enough to see what was happening, then raised a hand. “Hold up.”

Emerging from the shadows of the roadside trees was an older white woman in a shawl, guiding a family of three Black people—a father, mother, and daughter—along the dirt road. Their steps were quiet but quick, heads low, eyes scanning the dark.

The woman stopped and eyed the group warily. Her voice was measured. “You folks friends with Doc Chandler?”

Alt text: A nighttime scene outside a wooden barn labeled “Dr. Chandler’s.” Four young white adults—Emma, Merritt, Hannah, and Kent—stand with a solemn expression as they meet a small group. An elderly white woman in a dark cloak gestures while speaking to the group. Behind her are a Black man, woman, and teenage girl, dressed in 1860s rural clothing, carrying small sacks. The dim lighting and forest background evoke a tense, secretive mood.

Kent stepped forward slowly, hands relaxed. “No, ma’am. Just watching the road. Name’s Kent. That’s Hannah, Merritt, and Emma.”

The woman gave a slow nod. “Name’s Geneva Carter. This here’s the Davis family—Josiah, Ruth, and Naomi. What you folks doing here?”

Emma took a half step forward, her voice returning to that of the Emma born in 1861. “Ma’am, we got the notion we could do some good. Like a vision from heaven, you might say. We got the notion someone like you’d be comin’ along, an’ we’d be doin’ a right good thing if we could help out.”

“Vision from heaven?” Geneva shook her head. “Well bless me, my prayers done been answered. You can guess what we’re doing here.”

“Yes ‘am” Emma replied. “Underground Railroad.”

“Now hush with that talk,” Geneva said, pressing a finger to her lips. “We don’t speak them words out here. We’ve come from the Mississippi line. Tryin’ for that bridge near Siebert’s land, on account the Wolf’s up high in its banks and too dangerous to ford.”

Merritt stepped closer. “You’ll want someone to watch your back. We’ll walk with you.”

Geneva squinted at him, then the others. “Ain’t from ‘round here, are you?”

“No, ma’am,” Hannah said gently. “But we’ve got more at stake than you’d guess.”

At that, Josiah spoke up. “If’n it suits you, ma’am, we might rightly do well with some help. An’ we ain’t got no time to spare.”

Geneva nodded, and the eight set off away from Doctor Chandler’s barn. They walked quietly through the thick summer dark. The road curved, trees bowing low overhead, when a distant rattling of wheels reached Kent’s ears.

Alt text: A focused portrait of the four time travelers—Emma, Merritt, Hannah, and Kent—standing shoulder to shoulder at night. They wear simple, earth-toned 1860s clothing and appear watchful, aware of something approaching. The background is dark and wooded, suggesting a hidden rural location.

But piercing the night air was something the Pinkerton detective version of Kent knew all too well—the sharp clink of shackles, their iron cuffs and chains ringing with a sound his ears would never forget.

Kent turned sharply to Geneva. “Off the road—now. North side. Keep going for the bridge. We’ll handle this.”

Without hesitation, Geneva led the Davises off into the brush, her voice a fading whisper in the dark. “Oh Lawdy, have mercy!”

A family of four runs along a dark forest road at night. A Black father looks back urgently, urging the others forward with his arm extended. The mother and an elderly woman ahead of him run without looking back. At the rear, a scared teenage daughter glances behind her with wide eyes. The road is misty and surrounded by trees, emphasizing the danger of their flight.

The four Time Travelers moved pressed along the road, moving toward the sounds—and waited.

Moments later, a wagon pulled by a single horse rounded the bend. Two white men rode up front, scanning the road ahead. When they saw the group, they slowed, eyes narrowing.

A frontal view of a wagon pulled by a single horse in a dark rural setting. Two white men—slave catchers—sit side by side on the driver’s bench, both stern-faced and dressed in rugged 1860s work clothes and wide-brimmed hats. One man grips the reins while the other sits tensely beside him. The scene is dimly lit by moonlight.

The man on the reins called out. “You seen any darkies come through here? Got some runaways loose. We’re authorized.”

Kent stepped into their line of sight. “They’re not here. And you’re not welcome.”

“You talkin’ to me, boy?” the second man spat. “You don’t get to say who’s welcome.”

Hannah stood beside Kent and pointed squarely at them. “You’ve got no claim to people’s lives.”

“They ain’t people,” the first man muttered. “They’re property. Law says so.”

On a dark forest road, the four time travelers—Kent, Hannah, Emma, and Merritt—stand defiantly facing two white slave catchers whose backs are to the viewer. Kent stands with clenched fists, Hannah points firmly at the men, Emma has her hands calmly behind her back, and Merritt crosses his arms with resolve. The confrontation is lit only by faint moonlight breaking through the trees.

Hannah’s voice was quiet but steel. “The law is wrong. And somewhere deep down, you know they are human.”

“The law’s the law, an’ them animals need to be kept in line where they belong. Ain’t a human drop o’ blood in all of ‘em combined!”

“If they aren’t human,” Hannah said sharply, her voice steady and Northern, “then maybe you can explain why so many men like you keep trying to bed the women you say aren’t worth anything. Seems to me you only remember their humanity when it serves your… appetite.”

“Now, hold on a minute!” the first man said. “You’re twisting things up.”

The second man pointed at Merritt. “Boy, you better bridle your woman, if you know what’s good for you.”

Merritt shook his head, and Kent spoke up. “Listen up, you’d be smart to listen to my wife. You have no idea how wrong you are and how right she is.”

The two men clambered down from the wagon and the second man pointed. “Your wife? Boy, you better reel her in and control her mouth.”

Kent pointed back at the man. “She’s got every right to speak, and you’d be better off if you listened.”

At that, the first man pulled out a knife. “Reckon you need a lesson in who’s got the right to speak?”

Emma surprised everyone except Merritt when she moved forward quickly, one hand behind her back, the other wagging a finger at the man with the knife. “Tell me somethin’… Your face ever catch fire? Looks like it did, and then you let someone put it out with an ice pick?”

The man blinked, confused. “What in all tarnation are you talkin’ about? My face ain’t never been on fire!”

Kent knew what was about to happen. It would be the second the Time Travelers changed history with a small, aerosol container. Kent had stopped a kid with a gun once—with the pepper spray Emma had insisted everyone carry on that mission. Now it was time to stop a slaver.

Emma whipped her hand from behind her back, pointed, and blasted him in the eyes. The man screamed, dropped the knife, and staggered backward, howling in pain.

“How about now?” Emma asked. “Face on fire yet?”

Before the second man could lunge, Merritt stepped between him and Emma. Calm, squared up, and unmoving.

“You want some, too?” Merritt asked, raising his own canister, knuckles white around it.

The man froze, blinking at the strange device, his instincts warring with his pride. He backed up slowly.

Kent moved to Merritt’s side. “Back to your wagon. Turn it around. Go.”

The men muttered curses as they stumbled back toward the wagon. The one Emma had sprayed kept crying out, gripping his face. His partner helped him climb up to the seat.

Just before climbing up, the second man glanced one last time over his shoulder. His eyes locked with Hannah’s.

She didn’t flinch.

Something in his face flickered. Kent watched close as he looked down, then took a second look at Hannah.

Then something happened that nearly no one would have noticed. But a Pinkerton man was trained to see things, even in the faintest of light.

The man curled one side of his mouth slightly, looked down to the left, then up to the right. Kent knew that meant he was thinking hard about something.

Perhaps, he was planning a counter attack. Kent prepared to engage him, but… perhaps, though it was something else.

The man then shook his head, and turned away without a word.

They turned the wagon and rode off in silence, their threats trailing behind them like dust in the moonlight.

The Time Travelers waited until they were out of sight, then confirmed that Geneva and the Davis family were long gone. They were nowhere to be found south of the bridge.

At that, Merritt looked at the others. ““Okay… back to the barn. With luck, we’ll wake up in Brooklyn and not get stuck in 1860.”

Kent felt the 2025 version of him utter agreement with a phrase as unfamiliar to 1985 as it would have been in 1860: “Bet!”

1860-June-03 “Lay Of The Land” for Kent (born 1958)

Kent was the last of the four Time Travelers from the 1985 Off-line Moment to appear at the mission destination—or as Merritt had decided to call them the LZ, a term he thought was used in the Vietnam war when helicopters dropped off soldiers, a term meaning “landing zone.” The LZ this time, Kent quickly realized, was a barn. It was night. And seemed to be summer, if the muggy feel in the air meant anything.

“Welcome to the 1800s” Emma said as Kent brushed a mosquito from his neck.

“I don’t much like this era,” Hannah replied. “The memories I have from the me living back then are not…”

“…comfortable.” Merritt finished her thought.

“Right,” Hannah replied.

A realistic digital painting shows the 1985 versions of Emma Knox Gray, Kent Marlon, Hannah Madison Marlon, and Merritt Gray inside a dimly lit barn on the northern outskirts of Memphis, Tennessee, in the year 1860. Emma (left) stands in a tan dress with long sleeves and a fitted bodice, her wavy brown hair cascading to her shoulders. Kent (back center) stands slightly behind the group, wearing a beige shirt and a dark brown vest. In front of him stands Hannah (center), wearing a similar tan top with a vivid blue skirt and short, dark bobbed hair. Merritt (right) stands alert, also dressed in 1860s-style clothing: a beige shirt, dark vest, and dark trousers. The group is bathed in soft moonlight filtering through the open barn doors behind them, where a full moon glows in the night sky. Their expressions are calm but serious, aware of the time period they've translocated into, ready for the unknown mission ahead.

Kent looked out the main barn door first, then out the side door behind where everyone stood. There was a lot of dark out there; the only light came from the moon and stars. The sounds of the still Tennessee night were loud, but he felt compelled to whisper.

“Underground railroad… Stop a wagon.”

“Tomorrow night,” Emma replied. “Tonight we…”

When she failed to say anything more, Merritt took a few steps and looked out the main door. “We need to stay out of trouble and get a lay of the land.”

“We should check to see if what we packed made the Translocation,” Hannah said as she held up the little bag she’d packed.

Hannah had packed medical supplies. Though all of the 1985 Main-line Moment in Virginia (The Arch-line) were trained as EMTs, the Hannah born in 1858 had gone to medical school, and her memories were part of the merged memories all of the Hannah’s shared.

As they were all checking the few things they packed, Merritt looked up and said, “Everyone feeling okay? Anything… odd?”

“Odd how?” Emma asked.

Merritt looked up. “Odd like… Like the part of me that is the Merritt born in 1856 is… is…”

“Everyone sit down… let’s take a minute to settle in…” Kent thought he understood what Merritt was trying to say.

The others all nodded and after a moment they were fairly comfortable. On the floor of the barn. Though there were no lights other than the moon and stars, as their eyes adjusted, they could make out more and more of the shapes beyond the barn.

Kent found it… familiar, and returned to the idea Merritt had started. “The 1800s versions of us… this is normal to them… Emma, especially, growing up outside of the city.”

Merritt nodded. “Those versions of us… are sort of…”

“Present,” Hannah said. “They are doing that ‘focus’ thing Paul Charm told us they’d be doing.”

“Present… Yeah… that’s the…” Merritt laughed a little. “I was going to use 2025-me’s word… ‘vibe’…

“Our eyes are almost fully adjusted to the darkness now,” Emma said pointing. “I can see the farm house… Not a light, one…”

Kent and the others looked where she was pointing; the dark outline of a house was visible at the far side of a pasture. “Maybe they are asleep?”

A realistic digital painting depicts the 1985 versions of Emma Knox Gray, Kent Marlon, Hannah Madison Marlon, and Merritt Gray sitting inside a dimly lit barn on the northern outskirts of Memphis, Tennessee, in the year 1860. Moonlight streams faintly through an open doorway behind them, casting a cool glow across the rustic wooden walls and straw-covered floor. Emma, on the left, wears a long, tan dress with fitted sleeves and buttons down the front. Her wavy brown hair frames her calm, observant expression. Behind her sits Kent, dressed in a beige shirt and dark vest, his posture alert and steady. In front center sits Hannah, her expression serious and composed. She wears a cream blouse and a vivid blue skirt, and her short brown bob is neatly styled. Merritt, seated on the right, wears a beige shirt with the sleeves rolled up and a brown vest. His expression is calm but ready. Each of them has a small satchel or bag resting near them on the straw-covered floor. The atmosphere conveys quiet readiness, as the group takes a moment to rest and prepare in the peaceful darkness before continuing their mysterious mission.


“Maybe they are gone to the city?” Emma said.

“Well…” Kent pointed to the side door. “If anything happens, we can grab our bags and make a run for it. We’ve got the map Paul gave us…”

“Doc Chandler’s ‘old barn’ he said,” Merritt pointed at the house. “Maybe this one’s not used anymore? It’s basically empty…”

A detailed close-up section of an 1860s topographical map titled "Memphis and Vicinity," surveyed by order of Major General W.T. Sherman and drawn by Lieutenants Pitzman and Frick. The center of the image highlights the New Raleigh Road, which runs eastward through wooded and hilly terrain. Above the road is the Wolf River, winding from the west to northeast, with its name labeled prominently near the top left. The map displays small property names and landmarks such as Mill Creek, Rogers, Dunlap, Siebert, and Powell. At the top right, the town of Raleigh is marked in block letters. Further southeast, the Memphis and Ohio Railroad is visible, cutting across the image diagonally. Topographical contour lines show changes in elevation, while shaded areas represent wooded regions. Dotted lines indicate roads, trails, or property boundaries. This portion of the map provides strategic geographic context for Civil War-era movements and historic navigation along the rural northern outskirts of Memphis, Tennessee.

“We should be on the alert, anyway,” Kent said.

“Oh, I agree.” Merritt nodded. “Without a doubt.”

Hannah was nodding, too. “If this has anything to do with the Underground Railroad, like we were told it will, there’s a really good chance someone is not going to be happy with the outcome.”

Kent nodded. The Moment for 2025 had been told to study the Underground Railroad, and their memories were fresh in the minds of the mission team. Kent had said to Hannah earlier that it felt like he had a textbook in his head or that he’d been cramming for an exam for weeks.

The Underground Railroad was a secret network of safe houses, routes, and allies that helped enslaved African Americans escape from bondage in the Southern United States to freedom in the North and Canada during the 19th century. It was not an actual railroad but rather a coordinated, informal system supported by both Black and white abolitionists, free African Americans, religious groups like the Quakers, and other sympathizers.

Those who guided the escapees, often at great personal risk, were known as "conductors." Harriet Tubman, one of the most famous conductors, helped lead dozens of enslaved people to freedom after escaping herself. The people seeking freedom were called "passengers" or "cargo," and safe locations along the way were referred to as "stations" or "depots." Stationmasters were those who offered shelter, food, and assistance along the route.

Routes varied widely, often depending on local geography, available resources, and changing laws, such as the Fugitive Slave Act of 1850, which increased danger for escapees and those who aided them. While exact numbers are difficult to confirm, it is estimated that tens of thousands of enslaved people gained their freedom through this system before the Civil War helped bring slavery to an end. The Underground Railroad remains a powerful symbol of resistance, courage, and the enduring fight for human dignity and freedom.

Around 1860, the Underground Railroad route through Memphis, Tennessee, was one of the more dangerous and covert paths due to the city's strategic location along the Mississippi River and its status as a growing center for slave trade and cotton commerce. Despite these risks, Memphis became a key crossing point for escapees traveling north or east from deeper in the South.

Enslaved individuals fleeing from Mississippi, Arkansas, or interior parts of Tennessee often passed through the rural outskirts of Memphis—especially at night—using wooded trails, old wagon roads, and waterways to avoid detection. Sympathetic farmers, free Black residents, and secret abolitionist networks occasionally provided hidden shelters in barns, cabins, and church properties.

The Wolf River to the north and the Hatchie River to the east were sometimes used as natural guides, and those traveling north might attempt to cross the Wolf River near areas like the Powell or Siebert properties, as shown on contemporary maps. These crossings avoided toll roads and better-patrolled routes like Randolph Road.

From Memphis, some escapees moved northeast toward abolitionist-friendly communities in Kentucky or Ohio. Others attempted to reach the Mississippi River under cover of night to secure passage north via sympathetic riverboat crews. Travel was slow and perilous, with patrols, slave catchers, and bounty hunters posing constant threats.

While records of specific paths are scarce—due to the necessity of secrecy—the route through Memphis illustrates the extraordinary risks and coordination required to support the Underground Railroad in heavily surveilled and enslaved regions of the American South.

Kent was sure of one thing. He was glad none of the versions of him had ever been a slave in the US south. However, one of the two versions of Devon had been born a slave in 1858 in Vicksburg. The corresponding version of Kent had talked to him at length about the experiences.

“I think we should plan on sleeping in turns,” Emma said. “Two of us can stay on the alert while the other two sleep.”

“Probably best,” Kent replied.

“When the sun comes up, we can get out the maps and have a look around.” Merritt added. “Maybe we can make a guess about what we’re supposed to do?”

“That sounds good.” Kent looked around. “How about me and Hannah keep watch first. We can stay close and be ready to go out either door if needed.”

Emma looked around and nodded. “That sounds fine to me.”

A soft-lit, realistic digital painting shows the 1985 versions of Emma Knox Gray, Merritt Gray, Hannah Madison Marlon, and Kent Marlon resting inside a barn on the northern outskirts of Memphis, Tennessee, in the year 1860. The barn interior is dim, lit only by moonlight pouring in through an open door in the background, revealing a cloudy night sky. In the foreground, Emma and Merritt lie beside each other on a blanket spread over the straw-covered floor. Emma’s head rests gently on Merritt’s shoulder, her eyes closed in peaceful sleep. She wears a long, tan 1860s-style dress with a gathered bodice. Merritt lies on his back, one arm resting comfortably across his midsection, dressed in a beige shirt and brown vest. His expression is calm and reflective, eyes open and alert. Behind them, Hannah sits with her hands in her lap, her face soft with tiredness. She wears a cream blouse and a full blue skirt, and her short brown hair is tucked neatly behind her ears. Beside her, Kent sits upright on watch, his posture strong and vigilant. He is dressed in 1860s-era clothing—a light shirt and brown vest. The atmosphere is quiet and intimate, with the group resting in the safety of the barn, prepared for whatever lies ahead in their mission.

Shortly, Merritt and Emma had spread the blankets Merritt had brought and laid down. Kent and Hannah sat up close by where they could see easily out both doors.


NOTE: The historical passages regarding the Underground Railroad as remembered by Kent were partially generated by ChatGPT.

A vintage black-and-white topographical map titled "Memphis and Vicinity" is displayed, surveyed and drawn by order of Major General W.T. Sherman by Lieutenant Pitzman & Frick, Topographical Engineers. The map shows detailed terrain, roads, and landmarks in and around Memphis, Tennessee, along the eastern bank of the Mississippi River. A legend in the lower left corner indicates markings for main roads, cross roads, and lanes or paths. The city of Memphis is prominently labeled near the center-left, just above the "Deportation Grounds." The Wolf River snakes across the central area of the map, with detailed elevation markings and tree lines denoting wooded regions. To the east of the city, rural properties are marked with names like Powell, Dr. Chandler, and Siebert. The Siebert property is near Cotton Creek and a bridge that appears to be a key crossing point. The terrain features ridges, fields, wooded areas, and paths that were important during the Civil War era. The map includes the location of toll roads and trails leading away from the city into the surrounding countryside.



2025-04-03 “Trying To Smile” by Hannah (born 2002)

Yes, I am sitting on the table. No, I am not dressed for work; no I am not going. Yes, I am smiling in the picture. No, I don’t actually feel happy.

Hannah Madison sits on a kitchen counter in her unit at Tom Jenkins’s American Heritage Apartments, smiling softly. She wears a green off-the-shoulder crop top and white lounge shorts, her short brown bob neatly framing her face. The kitchen features wooden cabinets, a tiled backsplash, and a stainless steel stove, creating a cozy, modern backdrop. Natural light from a nearby window brightens the room, and a small potted plant adds a touch of greenery in the background. The scene feels relaxed and intimate, capturing a quiet morning moment.


So, Emma told everyone yesterday that The Agency has risen from the shadows again to inform us (Emma, Merritt, Kent, and me) that most of our consciousness will be needed this weekend. Starting at some point on Friday evening. Just like that. After weeks and weeks of nothing.

Our best guess is that we’re doing something related to the Underground Railroad somewhere near Memphis somewhere around 1960. We’re supposed to read up on it between now and then.

I am frustrated by this whole situation with Time Traveling. The merged memories are invasive at least. The infringements on our schedules are inconvenient.

It’s not like we had big plans, really. We’d more or less decided we’d all go to one of Shay’s projects and help with renovations to the home of a needed family. That’s off the table, now. 

So, last night, I looked at my emails and decided I could bang out some replies from here in the kitchen today and tomorrow. Sort of decompressing before… the BIG EVENT of the weekend which will look like 4 people (Emma, Merritt, Kent, and me) sitting around with 2 people (Anika and David) taking notes and asking questions.

I guess there will be snacks, so… I suppose that warrants a little smile, at least.

And, with that, I’ll bring this post to an end.

2025-04-02 “Stop A Wagon” by Emma (born 1861)

Well, I’m here in my apartment this morning about to finish getting ready to go to school. You might remember I started classes at at Kingsborough Community College, an’ I should say it’s going pretty good. An’ a lot because I have the memories from three other Emma’s mixed up with mine, so a lot I didn’t know from being born int the 1800s is filled in by the others.

So, Tom Jenkins just sent a message to the Time Traveler’s group saying he had an email from The Agency that we need to get ready for a mission this weekend. It’ll be a Translocation mission for the ones of us that live in the 1985 Off-line Moment. That means me, Merritt, Hannah, and Kent will sort of linkup with them while they are off doing something The Agency thinks needs doing.

Emma Knox stands by a tall window in her unit at Tom Jenkins’s American Heritage Apartments, holding a smartphone in both hands. She wears a teal zip-up hoodie and white shorts, her long wavy brown hair cascading over her shoulders. Her expression is calm and focused as soft daylight filters through the window, casting a gentle glow on her face. The urban backdrop outside shows red brick buildings and a distant steeple, anchoring her setting in Brooklyn. The cozy interior and the city beyond reflect her connection to both home and the world around her.

Same as before, we don’t exactly know what’s going to happen. Tom said his email said they will need to stop a wagon back in 1860 north of Memphis. An’ it said the rest of us ought to study up on the Underground Railroad, so I figure that must be part of the mission.

Now, back in 1881, the whole group of Time Travelers are living in Brooklyn. There’s a version of Will an’ Tom there, so based on the past, there should be a telegram with instrucions for that group. Then the 1985 group in the Virginia mountains ought to get a call from the version of Addison that lives then. She get’s messages on a pager telling her what to tell them.

Paul Charm says he’s not had any instructions to go back in time to do anything, this time. He said The Agency let him know a mission was coming up, but it wouldn’t require him to do anything. One time, he had to go back and arrange a hotel room, but nothing like that this time.

Speaking of Paul, I don’t know if it’s come up before, but he moved into one of the rooms in what Tom calls the dorms. An’ Anika and David have rooms in there, too. 

Well, I could go on and on about things, but I guess that’s enough for now.

But I will say me and Merritt are getting on real good as a couple. Same for Kent and Hannah.  Well, I guess I should also add all of the couples are doing good—Addison and Jacob, Shay and Devon, Liza and Caleb, Erik and Tia. Now, Paul and Rebecca seem to get on well, too, but they haven’t come out to say they are a couple. Last thing… Me and Hannah are smiling and keeping our eyes on Anika and David, if you know what I mean! 

Thanks for reading my story!

1985-April-1 “Something About A Wagon” for Merritt* (born 1960)

Merritt glanced at his three friends jogging with him as they came to the end of a good run. It was the latest of many workouts that had become their routine since their last Translocation mission to 1965.

The Will Robertson in their Moment (1985 Brooklyn Off-line) had told them after that mission to go into physical training as well as to brush up on as much history of the 19th century that they could stand. 

The months had passed quickly. In fact, for reasons they could not fathom, their Moment had synced up with the other Main-line Moments so that their calendar date was the same as that of the other three. It was April 1 for all of the other versions of themselves.

Sharing memories with three other versions of themselves had been challenging, but the visions of 2025 that crept into their minds daily were amazing. Merritt was often envious, especially of the communication access afforded by smartphones.

It had been two days since his 1985 pager had signaled a message: “Rest up for Friday’s mission.”

Emma, Hannah, and Kent had received the same message. Will Robertson had come by the apartment over the theater storage building to confirm. He had the additional detail that they should dress for 1860 and would be doing something on the northern outskirts of Memphis, TN.

“We got all those memories from the 1881 Moment ‘bout Memphis,” Emma had commented.

“Wonder how much different 1860 was from 1880?” Hannah asked.

“I’d bet a lot,” Kent had replied.

In a Brooklyn park during the spring of 1985, four young adults are seen jogging together on a tree-lined path. At front left is Emma Knox Gray, smiling and wearing a gray crop top with navy joggers; her long wavy brown hair flows freely as she runs. Behind her is Kent Marlon in a teal blue athletic shirt and matching joggers, smiling as he keeps pace. At front right is Hannah Madison Marlon, focused and composed in a pale beige T-shirt and vintage navy running shorts with white trim; her short brown bob frames her face. Behind her is Merritt Gray, relaxed and steady in a burgundy T-shirt and navy shorts. The group looks content and energized, framed by bare spring trees and soft sunlight, evoking a nostalgic, peaceful 1980s atmosphere.

Merritt looked over at the others one last time as they arrived at the end of their run. “Good run, everyone.”

Kent took in a good, long breath. “Yeah, good workout.”

“Now we rest for a few days before…” Hannah’s words trailed off.

Emma patted the pager The Agency had sent to her. “Then we have to go back in time an’ stop a wagon.”

“Naturally,” Merritt replied. “I mean, like, why wouldn’t that be the first thing on a list of things to do in 1860?”

“I guess we’ll figure it out when we get there,” Kent replied.